Notsensibles - Instant Classic Lp

  • Artikelnummer: 168728

In the late 1970’s, the northern england punk scene was thriving, particularly in cities like manchester and towns like 
burnley. unlike the more fashion-driven london punk scene, northern punk was grittier, infused with working-class realism and a sharp sense of humour. do-it-yourself venues, independent record labels and fanzines played a crucial role in promoting local bands. notsensibles embodied this ethos, self-releasing their music and performing in grassroots venues. their concerts were known for anarchic humour, theatrical antics, and a refusal to ‘sell out’, often involving playful stunts and a chaotic, communal atmosphere. notsensibles emerged in 1978 in burnley, lancashire. the original line-up included michael 'haggis’ hargreaves (vocals), steven ‘sage’ hartley (guitar), roger c. rawlinson (keyboards), gary brown (bass), and kevin ‘ploppy’ hemingway (drums). their stated aim - ‘to make silly records and play silly gigs’ - set them apart from the more politically earnest or aggressive strands of punk developing at the same time. 

17,90 €
inkl. 19% USt. , zzgl. Versand
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Beschreibung

In the late 1970’s, the northern england punk scene was thriving, particularly in cities like manchester and towns like 
burnley. unlike the more fashion-driven london punk scene, northern punk was grittier, infused with working-class realism and a sharp sense of humour. do-it-yourself venues, independent record labels and fanzines played a crucial role in promoting local bands. notsensibles embodied this ethos, self-releasing their music and performing in grassroots venues. their concerts were known for anarchic humour, theatrical antics, and a refusal to ‘sell out’, often involving playful stunts and a chaotic, communal atmosphere. notsensibles emerged in 1978 in burnley, lancashire. the original line-up included michael 'haggis’ hargreaves (vocals), steven ‘sage’ hartley (guitar), roger c. rawlinson (keyboards), gary brown (bass), and kevin ‘ploppy’ hemingway (drums). their stated aim - ‘to make silly records and play silly gigs’ - set them apart from the more politically earnest or aggressive strands of punk developing at the same time. 

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